Since its launching in 1999, Afterall, a journal of art, context and enquiry, has offered in-depth considerations of the work of contemporary artists, along with essays that broaden the context in which to understand it. Published three times a year, Afterall also features essays on art history and critical theory.
Issue 35 looks at contemporary art's engagement with history through the work of Teatro Vertigem, Tony Chakar, Olga Chernysheva. and Danh Vo. Pablo Lafuente reviews the 2013 re-creation of the landmark exhibition "When Attitudes Become Form" at Fondazione Prada in Venice, and Shep Steiner discusses diverging notions of aesthetic, historical, and commercial value.
